Felix describes as her Southernness and the global black vernacular. Like much of Beyoncé’s most fascinating work of late, the album-a collaboration with her husband JAY-Z-emphasizes the unique intersection of what New Yorker writer Doreen St. These days, it looks like it’s mostly ups.To fully appreciate Everything is Love, it helps to think about the past. From “03’ Bonnie and Clyde” and “Crazy in Love” to “Drunk in Love” and “Family Feud”-Jay and Bey have consistently made music with each other, even through the ups and downs in their relationship. In fact, Everything Is Love and “SALUD!” comprise just one touchstone in their collaborative history as a couple. It’s possible that the intentional omission of the track could be a reassuring statement to fans: just because the Carters made an album doesn’t mean it’s the end of their work together. "SALUD!" could easily be the victory lap that rounds out the LP, but the song was conspicuously released separately. We did that.” And “SALUD!” features the same adorable sign-off from Blue Ivy (“Shoutout to Rumi and Sir, love Blue”) that appears on the album cut “BOSS,” revealing that the track and the album should be regarded as companions. On the standalone single “SALUD,” Bey and Jay toast to each other, as if to say: “We fixed our marriage AND made three whole albums about it. “Tell the Grammys fuck that 0 for eight shit,” he says about the institution who has also continuously failed to give his wife the Grammy for Best Album. Later in the same verse, Jay is more clear about his feelings toward the Grammy committee, who shut him out of the 2018 Grammys despite him leading the nominations with eight in total. On “APESHIT,” JAY-Z addresses rumors that he was asked to perform at the Super Bowl 2018 halftime show, rapping, “I said no to the Super Bowl/You need me, I don’t need you/Every night we in the end zone/Tell the NFL we in stadiums too.” But considering that the Super Bowl doesn’t pay its performers, the decision seems less of a slight and more of a smart business call. Now that the Carters have reached new heights of superstardom and wealth, they truly give no fucks about taking shots at any institution or company that doesn’t serve them on their terms-including the Super Bowl, the Grammys, and Spotify. The Carters Are So Rich They No Longer Give Two Fucks After a legal battle with the estates of Tupac and Biggie, the suit was recently dropped. “Y’all put n-s on a t-shirt, it hurts you ain’t never meet ’em,” he raps on the track, seemingly referencing the fact that Kylie and Kendall put pictures of Tupac and Biggie on T-shirts for their clothing line without licensing the images. Later on “FRIENDS,” Jay appears to take aim at the Kardashian-Jenner clan. “I understand they were going through some things, but if it’s family, you’re not going to miss a wedding.” On “FRIENDS,” Jay raps, “I ain't goin’ to nobody nothin’ when me and my wife beefin’/I don't care if the house on fire, I'm dyin’, n-a, I ain't leavin’/.If y’all don't understand that, we ain’t meant to be friends.” Plus, the mere fact that Bey and Jay are releasing an album during Yeezy’s ongoing marathon of releases could be seen as a challenge to the prolific producer, as well as to Jay’s longtime nemesis Nas, who just dropped a new album, Nasir. In his two-hour interview with Charlemagne last month, Kanye admitted that he felt slighted after Jay and Beyoncé didn’t show up to his 2014 wedding. Jay also seems to address his fallout with Kanye. “We were using our art almost like a therapy session,” Jay told The New York Times last year. And it even apparently helped bring the couple back together. Now, Everything Is Love acts as the final installment of the Carter’s relationship saga. On Lemonade, Bey ripped into Jay with tracks like “Don’t Hurt Yourself” and sang about infidelity while referring to the supposed paramour as, “Becky with the good hair.” With Jay’s next album 4:44, he rapped multiple apologies to his wife, apparently turning a new leaf in his “womanizing” ways. In case you weren’t up to date, the last two Beyoncé and JAY-Z albums were about a rift in their relationship, caused by Jay allegedly cheating on his wife. As a Relationship Renews, the Trilogy Ends Featuring contributions from Migos’ Quavo and Offset, Ty Dolla $ign-as well as production from Pharrell, Cool & Dre, TV on the Radio’s Dave Sistek, among others-the nine-track project, credited to the Carters, is the couple’s ode to their daughter, Blue Ivy, and their combined wealth. Everything Is Love-plus another standalone track called “SALUD!”-is Beyoncé and Jay’s testament to forgiveness and reconciliation.
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